MODRYCHI, Ukraine — For two years, a devoted father has stayed by the side of his bedridden son, a Ukrainian soldier who suffered a severe brain injury. Passing through hospitals and rehabilitation centers, the father finds joy in every small victory of his 36-year-old son: a smile, a new word, an unexpected movement.
Serhii Shumei talks to his son Vitalii, a Ukrainian officer seriously wounded in a battle with Russian forces, in a city hospital Jan. 11, 2023, in Chernihiv, Ukraine.
These milestones mark progress that the doctors doubted would ever come.
The Associated Press reported on Vitalii Shumei’s story a year and a half ago, and it went viral. It brought attention of many across the world, including Ukrainian soccer club Shakhtar Donetsk, which offered to pay for the expensive treatment that Shumei needed.
Shumei, an anti-aircraft missile commander, was wounded in August 2022 while fighting in the Donetsk region, which remains the hottest part of the more than 600-mile front line in Ukraine. Shumei defended Avdiivka, a city that has since fallen to Russian forces. The battle for Bakhmut, the longest of the war, had just begun at the time of his injury.
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Now, Russian troops are advancing toward another major city, Pokrovsk, where the battle is likely to be as grinding and brutal as those for other cities in the Donetsk region.
“We’ve already started to make some progress, if only his legs would start working,” said Serhii Shumei, his 65-year-old father. “Soon we’ll be walking and we’ll go to the gym every day.”
Serhii Shumei, 65, talks to his son Vitalii, 36, a Ukrainian officer seriously wounded in a battle with Russian forces, at the rehabilitation center Aug. 28 in Modrychi, Ukraine.
In their room at the rehabilitation center in Modrychi, western Ukraine, there are two beds. Vitalii Shumei sleeps by the window, and his father rests opposite him.
Serhii’s life now revolves around his son’s future.
An orange Shakhtar soccer jersey with the name Shumei and No. 35 in black print adorns the wall. Nearby, a blue-and-yellow Ukrainian flag signed by Shakhtar players is displayed beside a photograph of a smiling Vitalii from before his injury.
Serhii had been a dedicated Shakhtar fan his entire life, so when they offered to cover his son’s treatment one and a half years ago, he could hardly believe it.
Back then, Vitalii's condition was grave after the shell struck his dugout. The blast tore a crater in his skull that was as deep and broad as half a melon. He could blink and swallow but was largely immobile.
A doctor talks to Vitalii Shumei, a Ukrainian officer seriously wounded in a battle with Russian forces, at the rehabilitation center Aug. 28 in western Ukraine.
They went for treatment in Barcelona, Spain. Following extensive examinations, Vitalii underwent brain surgery and received plates to reconstruct his skull.
“The surgery was very complex, but he’s strong. I knew he would endure,” his father said.
A few months later, Serhii and his son returned to Ukraine, because Vitalii felt very anxious hearing a foreign and unfamiliar language.
He immediately felt relief, and by February of this year, Vitalii began to laugh and started speaking.
“I was immensely pleased. Though it was a small victory, it was still ours,” he said. “I walked with my head held high, proud of how far we’ve come.”
A doctor works with Vitalii Shumei, 36, a Ukrainian officer wounded in a battle with Russian forces, Aug. 28 in Modrychi, western Ukraine.
Initially, Vitalii used simple “yes” or “no” responses, but his vocabulary gradually expanded to include colors, days of the week and names of close relatives.
His father accompanies him to every rehabilitation session.
During one of the sessions, ergotherapist Svitlana Kononeko, who helps Vitalii improve his daily functioning through rehabilitation, constantly engages with him. He sits in a chair facing a large mirror while she uses questions to help him recognize his reflection.
“Vitalii, there’s a mirror in front of you. Can you see yourself?”
There is silence in response. She asks again, “Do you need a moment to rest?” He responds with a quiet “Yes.”
Kononeko has been working with Vitalii for several months and notes significant progress recently. Besides Vitalii, she also has several other patients, most of whom are soldiers like him.
“What’s your call sign?” Kononeko asks. Shumei barely whispers, “Leon.”
“It’s been such a long and difficult journey,” says volunteer Iryna Tymofeyeva, who met the family about a year and a half ago and continues to support Serhii, who also needs an ally on this challenging path. She said that only the two of them “were crazy enough” to believe from the start that Vitalii could make such progress one day.
When Vitalii’s tracheostomy was removed a month and a half ago, his father finally was able to get some real sleep for the first time in nearly two years of nonstop caregiving. Now, he occasionally takes short walks around the rehabilitation center, which is nestled in picturesque greenery.
However, he never leaves Vitalii for long.
“I’ll leave him only when I see that he’s on his feet,” says his father. “Then he can start living his own life.”
The next, eagerly anticipated stage of rehabilitation will be when Vitalii can stand and begin walking. Rehabilitation specialists are reluctant to predict when this might happen, as the outcome depends on many factors that are difficult to forecast. One thing remains constant, though — the support of his father.
“This is my child, and I have to hold on and do everything I can to help him get better,” he said. “If anyone feels like giving up, with soldiers or civilians, don’t give up, hold on by a thread.”
The 33 most anticipated movies of the fall
‘My Old Ass’
A psychedelic trip makes for an unusual meeting in the latest from director Megan Park (“The Fallout”). After sipping some mushroom-infused tea, 18-year-old Elliott (Maisy Stella) finds herself joined by her future self, played by Aubrey Plaza, on a camping trip on the lakes of Muskoka, outside Toronto. (Sept. 13, in theaters)
‘Will & Harper’
When former “Saturday Night Live” writer Harper Steele came out as trans, she sent an email to friends and family. An old friend and “SNL” colleague, Will Ferrell, responded with the suggestion that they travel the country together. The result is this tender and contemplative documentary, by “Barb and Star Go to Del Mar” director Josh Greenbaum, about their 16-day road trip. (Sept. 13; on Netflix Sept. 27)
‘Speak No Evil’
Christian Tafdrup’s 2022 Danish horror film was potent enough that it led to this Blumhouse remake just two years later. James McAvoy, Mackenzie Davis and Aisling Franciosi star in a thriller about how much can go wrong on a idyllic countryside vacation. (Sept. 13, in theaters)
‘A Different Man'
Sebastian Stan stars as Edward, an actor with neurofibromatosis who, after experimental surgery, is cured of his facial disfigurement. But the changes for Edward, who lives next to a friendly playwright (Renate Reinsve of “The Worst Person in the World”), turn out to be a mixed blessing. With a compelling co-starring turn by actor Adam Pearson, who has neurofibromatosis. (Sept. 20, in theaters)
‘His Three Daughters’
Writer-director Azazel Jacobs’ latest stars Carrie Coon, Natasha Lyonne and Elizabeth Olsen as sisters who gather in the New York apartment of their dying father. A highlight of the season, “His Three Daughters” is one of the most memorable tales of siblinghood, and of a death in the family, in recent memory. (Sept. 20 on Netflix)
'The Substance'
A hit out of the Cannes Film Festival, Coralie Fargeat’s body-horror parable stars Demi Moore as a TV star who’s deemed too old by male producers. A mysterious service, though, offers her the ability to change into a younger twin (Margaret Qualley) — so long as she doesn’t remain so for too long. “The Substance” seems sure to go down as a classic satire of Hollywood ageism and youth obsession. (Sept. 20, in theaters)
‘Wolfs’
Brad Pitt and George Clooney play rival fixers who discover they’ve been hired for the same job in Jon Watts’ comic caper. Presumably more charming actors weren’t available, so Watts had to suffice with Clooney and Pitt. (Sept. 20, in theaters; Apple TV+ on Sept. 27)
'Super/Man: The Christopher Reeve Story'
Ian Bonhôte and Peter Ettedgui’s documentary seeks to capture the full arc of Reeve’s life, from the massive stardom that followed 1978’s “Superman” to his resiliency following an accident that left him paralyzed from the neck down in 1995. (Sept. 21, in theaters)
'Megalopolis'
Francis Ford Coppola’s first film in 13 years stars Adam Driver as Caesar, a visionary with dreams of a utopian New York. Giancarlo Esposito, Aubrey Plaza, Laurence Fishburne and Shia LeBeouf co-star in this wildly ambitious epic that has already earned a wide spectrum of reaction. (Sept. 27, in theaters)
'Joker: Folie à Deux'
Five years after their rabble-rousing Oscar nominated DC Comics blockbuster, director Todd Phillips and Joaquin Phoenix are back for more antihero fun. This time, it’s a musical, and Lady Gaga is playing Harley Quinn. (Oct. 4, in theaters)
'The Outrun'
Saoirse Ronan stars in Nora Fingscheidt’s adaptation of Amy Liptrot’s memoir of addiction. Ronan plays a young woman just out of rehab and returning home to the Orkney Islands in Scotland. (Oct. 4, in theaters)
‘Piece by Piece’
What’s cooler than a documentary about your life? What about a documentary made with Lego? In this film, directed by Morgan Neville (“Won’t You Be My Neighbor?”), Pharrell Williams tells his life story brick by brick. (Oct. 11, in theaters)
‘Saturday Night’
While all eyes will be on “Saturday Night Live” on the small screen this fall, the sketch comedy show will also have an origin story in theaters. Director Jason Reitman (“Juno,” “Up in the Air”) directs this mid-’70s dramatization of the chaotic infancy of the NBC institution, with Gabriel LaBelle as creator Lorne Michaels. (Oct. 11, in theaters)
‘Anora’
Sean Baker (“The Florida Project,” “Red Rocket”) has long been one of most vital American independent directors. But he takes a step further with “Anora,” the Palme d’Or winner at this year’s Cannes Film Festival. It stars Mikey Madison as a Brooklyn sex worker whose Vegas marriage to the son of a Russian oligarch prompts a farcical effort by his family’s henchmen to have it annulled. (Oct. 18, in theaters)
‘Nickel Boys’
RaMell Ross’ feature directorial debut, selected as the opening night film at the New York Film Festival, adapts Colson Whitehead’s 2019 Pulitzer Prize-winning novel about two Black teens (Ethan Harisse, Brandon Wilson) who become wards of juvenile reform school in 1960s Florida. Ross previously directed the Oscar-nominated documentary “Hale County This Morning, This Evening.” (Oct. 25, in theaters)
'Venom: The Last Dance'
Tom Hardy is back as the most volatile split-personality superhuman: Eddie Brock and his symbiote Venom — arguably the most captivating double act in comic book movies. In this, the third in the series following 2018’s “Venom” and 2021’s “Venom: Let There Be Carnage,” both are on the run. (Oct. 25, in theaters)
'Dahomey'
Writer-director Mati Diop (“Atlantics”) creates testimonials for a few dozen African artworks taken from the West African kingdom of Dahomey during France’s colonial rule in this, the winner of the Golden Bear at the Berlin Film Festival. Diop dramatizes the artworks’ stories through what she’s called “magical documentary.” (Oct. 25, theaters)
'Memoir of a Snail'
Adam Elliot’s stop-motion drama, some 10 years in the making, follows the life of Grace Puddle (voiced by Sarah Snook), who begins collecting snails after her mother’s death. After her father dies, too, she and her twin brother (Kodi Smit-McPhee) are separated. (Oct. 25, theaters)
'Conclave'
A new Pope is needed. Enter Ralph Fiennes. In director Edward Berger’s follow-up to “All Quiet on the Western Front,” Fiennes stars as Cardinal Lawrence, one of the Vatican figures who gather for a conclave to choose a new pontiff. When Lawrence uncovers a secret that others would rather stay hidden, the conclave teeters toward going up in smoke. (Nov. 1, theaters)
'Emilia Pérez'
It’s not every day we get a musical about a Mexican drug lord who transitions into a woman. Even more surprising is that French director Jacques Audiard pulls it off. Zoe Saldaña, Karla Sofía Gascón and Selena Gomez star in one of the more audacious movies of the year. (Nov. 1 in theaters; on Netflix Nov. 13th)
‘Here’
Robert Zemeckis and Tom Hanks have a long and fruitful history together dating back to “Forrest Gump” and “Cast Away.” Less good was 2022’s “Pinocchio,” so hopefully the pair are back on track in “Here.” Appearing to be filmed in one take, Zemeckis’ latest chronicles a single spot of land through history. After a home is built on it, Hanks and Robin Wright move in and raise a family. (Nov. 1, in theaters)
‘Bird’
British filmmaker Andrea Arnold has dabbled in TV and documentary in recent years, which makes “Bird” her first film since 2016’s “American Honey.” Here, she returns to a working-class English backdrop for a gritty story laced with fable. A 12-year-old girl (Nykia Adams) who lives with her father (Barry Keoghan) is visited by a peculiar stranger (Franz Rogowski). (Nov. 8, in theaters)
‘Heretic’
The distance Hugh Grant has traveled from rom-com protagonist seems likely to reach a new peak in this A24 horror thriller from “A Quiet Place” co-writers Scott Beck and Bryan Woods. Sophie Thatcher and Chloe East play a pair of proselytizing Mormon missionaries who knock on the wrong door. (Nov. 15, in theaters)
'All We Imagine as Light'
Payal Kapadia’s ode to female friendship, a prize-winner at Cannes, is about two Mumbai nurses (Kani Kusruti, Divya Prabha) striving for love and happiness while working and commuting long hours in the Indian metropolis. (Nov. 15, in theaters)
'Gladiator II'
Twenty-four years after “Gladiator,” Ridley Scott is back with more swords, sandals and … a rhino. Yes, that horned mammal makes its way into the Colosseum this time, but it’s far from the only new addition. Paul Mescal, Denzel Washington and Pedro Pascal star in this sequel, set several decades following the events of the original movie. (Nov. 22, in theaters)
'Wicked'
Before “Wicked” was a Broadway smash, it was a 1995 book and nearly a movie. The big-screen was, perhaps, always the most fitting medium for a “Wizard of the Oz” riff. In this Jon M. Chu-directed film, Cynthia Erivo plays the woman who’ll become the Wicked Witch of the West, while Ariana Grande plays Glinda. This “Wicked” will be split in two, with part two arriving in late 2025. (Nov. 22, in theaters)
‘The Piano Lesson’
Washington has set himself the task of bringing August Wilson's plays to the big screen. In this adaptation of Wilson's Pulitzer Prize-winner, he produces while son Malcolm Washington directs, and son John David Washington stars. Led by a powerhouse performance by Danielle Deadwyler, “The Piano Lesson” depicts a Pittsburgh family in 1936 reckoning with a family heirloom, a piano, which doubles as a metaphor for the legacy of slavery. (Nov. 22, on Netflix)
‘Moana 2’
A little “Moana” confusion would be understandable. There's a separate live-action “Moana” in development and this film was originally planned as a series. But “Moana 2” ultimately, came together as a big-screen sequel to the 2016 original. Lin-Manuel Miranda isn't returning on the music front, but most everyone else is, including voice actors Auliʻi Cravalho and Dwayne Johnson. The film, set about three years after the original, finds Moana heading back on an ocean adventure, this time with her sister (voiced by Khaleesi Lambert-Tsuda) aboard, as well as several others. (Nov. 27, in theaters)
‘The Wild Robot’
This DreamWorks Animation release, adapted from Peter Brown’s popular book series, follows a robot (voiced by Lupita Nyong’o) who crash lands in a forested wildness where it, seeking a task, raises a runt goose (Kit Connor) until it's able to fly. (Sept. 27, in theaters)
'The Apprentice'
Opening just weeks before the U.S. election is Ali Abbasi’s portrait of a young Donald Trump (Sebastian Stan) under the tutelage of Roy Cohn (Jeremy Strong). The film, which the Trump reelection campaign has called “pure malicious defamation,” is made with some of the ’80s aesthetics of its setting. (Oct. 11, in theaters)
‘We Live in Time’
Florence Pugh and Andrew Garfield star in this human-scaled drama, directed by John Crowley (“Brooklyn,” “The Goldfinch”) about a relationship charted not always chronologically, through romance, sickness and parenthood. Tissues are recommended. (Oct. 11, in theaters)
‘Blitz’
Director Steve McQueen (“12 Years a Slave”) returns to World War II for this drama set in a London under siege from Nazi bombs. Saoirse Ronan plays a single mother trying to protect her young son (Elliott Heffernan). (Nov. 1, theaters)
'A Real Pain'
Jesse Eisenberg wrote, directed and stars in this buddy dramedy about two cousins (the other is played by Kieran Culkin) who travel to Poland to honor their grandmother. The two are near opposites played to type: Eisenberg is a sensitive neurotic, Culkin a charismatic idler. Together, they create a funny, poignant two-hander. (Nov. 1, in theaters)

