The story of Jack Johnson, the Black boxer who sparked race riots after his world heavyweight win

Those riots weren't sparked by police brutality, but by a boxing match.

In 1908, Jack Johnson became the first Black heavyweight boxing champion of the world, fighting at a time when, despite slavery having been abolished 45 years previously, African Americans were still subjected to widespread segregation and racism.

His victory over James J. Jeffries -- in what was billed then as the "Fight of the Century" -- on Independence Day in 1910, sent shockwaves through both the Black and White communities across the world.

The bout was fought in Reno, Nevada, at the height of the Jim Crow laws era, when racial segregation in the US South was rigorously enforced.

A former undefeated heavyweight champion, Jeffries came out of retirement to "to make an effort to reclaim the heavyweight championship for the White race." He added: "I should step into the ring again and demonstrate that a White man is king of them all."

Johnson's subsequent victory sparked race riots across the US, pitching a Black community -- jubilant that their champion had won -- against their White counterparts, seething with anger at the outcome of the fight. More than 20 people were killed and hundreds were injured. Most of the victims were Black.

In part due to his refusal to fight Black contenders after beating Jeffries, an extravagant lifestyle and his feud with Joe Louis, Johnson managed to somewhat alienate himself from the Black community and subsequently become something of a forgotten figure.

It wasn't until the rise of Muhammad Ali -- who recognized many similarities between himself and Johnson -- and the arrival of the Black Power era that his career and achievements became more widely appreciated, not just for his sporting prowess but for his trailblazing success in an era when racism was widespread and commonplace.

According to Theresa Runstedtler -- author of 'Jack Johnson, Rebel Sojourner: Boxing in the Shadow of the Global Color Line' -- the boxer's defeat of Jeffries "ripped the veil off of the niceties that were used to cover up the violence of White supremacy."

"[Johnson's rise to champion] signified Black possibilities at a moment when all of the regular channels of Black success, whether it be trying to get a quality education or trying to make it in business or even just trying to be involved in politics -- because there was so much widespread disenfranchisement -- this was an example of a success that couldn't be disputed," Runstedtler told CNN Sport.

"That he had defied social barriers to become the best at something when all of these other barriers were being put up in front of African Americans seeking to improve their social status, symbolically, he was super important."

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Reaching the pinnacle

Perhaps what's even more remarkable about Johnson's success is that he was raised by two former slaves.

"To know that somebody in an era of just the most appalling racism decided as a very young boy that he was going to be something unique and special and then set out to do that is, people talk about the American dream, which is largely a myth, but he embodies it," according to Geoffrey C. Ward, author of 'Unforgivable Blackness: The Rise and Fall of Jack Johnson.'

As a Black fighter, he was predominately restricted to facing only Black opponents -- he fought Jeffries' younger brother in 1902 -- competing under the confines of the 'Colored Heavyweight Championship of the World' category which he won in 1903. At the time in some areas of the USA, interracial boxing was banned.

However, then-current world heavyweight champion Tommy Burns was more open-minded, promising to defend his title against "all comers, none barred. By this I mean Black, Mexican, Indian or any other nationality without regard to color, size or nativity."

Burns initially wanted "to give the White boys a chance" first -- but Johnson finally got his shot and he took it with both hands.

In 1908, in front of a crowd of 20,000, Johnson was handily beating Burns in Sydney, Australia, before police stopped the fight in the 14th round to prevent Johnson from knocking out his opponent. Nevertheless, Johnson's victory was secure, making him the first-ever Black heavyweight boxing champion.

Given the widespread racial animosity within the American population, largely White media outlets sent out the call for a "Great White Hope" to steal the title from Johnson.

After successfully defending his title three times on US soil -- he also drew with Philadelphian Jack O'Brien -- Jeffries, who had since retired to an alfalfa farm, answered the call for a boxer to "demonstrate the superiority of the White race," Ward says.

Jeffries -- who hadn't fought for five years -- said upon accepting the fight: "I am going into this fight for the sole purpose of proving that a White man is better than a negro."

'Fight Of The Century'

And so on July 4, 1910, in a bespoke, 22,000 capacity stadium in downtown Reno in front of an entirely White crowd, Jeffries went toe-to-toe with Johnson in what turned out to be as one-sided a heavyweight title clash as you are ever likely to see.

The quicker, more agile Johnson easily evaded Jeffries' lumbering attacks, knocking him down twice. Finally, during the 15th round Jeffries' corner threw in the towel.

"They basically begged [Jeffries] to come out of retirement, pump up his ego and make him think he's gonna win, and he just fails miserably at that," Runstedtler said.

Jeffries indicated after the fight his time out of the ring meant he was no longer able to compete with "The Galveston Giant." "I am not a good fighter any longer," he said. "I could not come back. Ask Johnson if he will give me his gloves."

The result of the fight shocked those in attendance. While Johnson and his team celebrated in the ring, the audience streamed out of the stadium in eerie silence, according to Runstedtler.

Around the US though, the reaction wasn't so muted, with Johnson's victory sparking race riots across many states.

The bout was one of the first fights ever to be filmed, meaning that there was a celluloid record for all to watch. However, just days after the fight, many states and cities banned showings of the Johnson-Jeffries film.

Indeed, two weeks after the fight, former US President Theodore Roosevelt, who himself was a boxing fan, wrote an op-ed in which he supported the banning of moving pictures of boxing matches, hoping that the Johnson-Jeffries bout was "the last prize fight to take place in the United States."

From White officials in the US to colonial officials in the British empire, moves were made to prohibit the circulation of the film.

Said Runstedtler, "[They] were terrified about what this film would do to the delicate balance of power in their spaces where, in particular in the British case, often they were outnumbered by people of African descent.

"There was a huge build-up around it and so it wasn't just the fight itself, and the victory on that day, but the reverberations of it across the rest of the US and the world."

'A very flamboyant, ostentatious personal presentation'

Outside of the ring, Johnson's lavish lifestyle -- notably his collection of expensive cars -- often alienated him from what people at the time perceived to be a "respectable" image of Black leaders of the day, embodied by the term "Talented Tenth," popularized by W.E.B. Du Bois.

"If you've looked at any of the photos of him, he had a very flamboyant, ostentatious personal presentation at a time when African Americans were seen by the rest of society as manual laborers or workers," Runstedtler explained.

"He was known to hang out in the vice districts of Chicago and other cities where he traveled and to cavort with the sporting crowd, the gamblers, the pimps, the prostitutes, etc."

His relationships with Black boxers after he became world heavyweight champion also didn't help. One of his Black challengers at the time, Joe Jeannette, said: "Jack forgot about his old friends after he became champion and drew the color line against his own people."

Johnson's feud with Joe Louis, world heavyweight champion from 1937 to 1949 and one of the greatest heavyweight boxers of all time, further tarnished his reputation.

"He bet against [Louis], he hoped Billy Conn would beat him, he hoped Max Schmeling would beat him," Ward noted.

"And after the first Schmeling fight in 1936 (which Louis lost), he went down on 120 Fifth Street in Harlem and showed off all the money that he had won betting against Joe Louis and the police had to rescue him from the crowd."

It wasn't until long after Johnson's death in 1946 that people started to revisit his story and the effect that he had on society, primarily because of the success of Ali and the legendary heavyweight's own interest in Johnson's life.

After going to see "The Great White Hope" -- a Broadway show based on Johnson's life, starring James Earl Jones in the lead role -- in 1968, Ali told Jones: "That's my story. You take out the issue of White women and replace it with the issue of religion. That's my story!"

At that time, Ali's refusal to fight in Vietnam after converting to Islam had resulted in his boxing license being suspended and the government taking hold of his passport. These struggles he faced were the reasons why he saw so many similarities between him and Johnson's plights.

As a result, in subsequent fights, Ali's cornerman, Drew "Bundini" Brown, could be heard shouting: "Ghost in the house! Ghost in the house! Jack Johnson's here! Ghost in the house!" to encourage Ali.

"People within the Black community, particularly Black men, revisited his image and said: 'Wow, this guy just did whatever the heck he wanted,'" Runstedtler said. "And he embodied the kind of powerful Black masculinity that appealed to people during the Black Power era."

The Black Power movement began in the 1960's in which activists "boldly challenged the hatred and violence of an intractable system of racism and oppression," the author Joyce Marie Bell wrote.

Ali's revisiting of Johnson's story helped catapult the one-time world champion -- who had had his title stripped because of his refusal to be drafted into army service to fight in the Vietnam War -- back into the public's consciousness and also create a lineage of great Black heavyweight boxers.

Even Lennox Lewis -- three-time heavyweight world champion -- said that he would "never forget that I stand on the shoulders of Jack Johnson."

"To be honest, I knew more about Muhammad Ali," Lewis told the Guardian in 2010. "He was in our time. But I learned about Jack Johnson. Ali's contribution was profound, but Jack Johnson's was the first. It was quite a story. I am a lover of history and it was good to look again at the sort of attitudes that were about back in those days, to see how far we have come.

"Even though Black people were, in some ways, more accepted in American culture, the promoters' dream became to look for controversy. And Jack Johnson was the first great showman.

"He gave them what they wanted. Look at the time he lived. It was remarkable that he was travelling the world, as a Black man, getting arrested, leaving America, going to Europe. In the end he got old, like we all do, and he got knocked out by Jess Willard."

The pardon

In 1913, Johnson was convicted for violating the Mann Act for transporting women across state lines for immoral purposes.

Johnson fled to Europe in 1913 while free on appeal. But after years of fights overseas, including the eventual loss of his title in Havana, Cuba, in 1915, Johnson came home where he eventually turned himself over to U.S. authorities at the Mexican border in 1920 and served 10 months in prison.

While the law had found him guilty of transporting Belle Schreiber across state lines, his Mann Act conviction was clearly "meant as a lesson to the Black folk, the world around."

Following a long campaign initiated by documentary maker Ken Burns, and with the support of the late Senator John McCain, Mike Tyson, and Lewis among others, on May 24, 2018, 105 years after being convicted of violating the Mann Act, Johnson was posthumously pardoned by US President Donald Trump.

And although Trump's pardoning of Johnson "brought him back into public view," Runstedtler contends Johnson's legacy of rebellion against the status quo wasn't fully acknowledged during the pardon campaign.

"(The White campaigners) don't actually want to embrace a more subversive legacy that he has, which I think is actually the more complicated one and the one that I would hope that he would be remembered for.

"Certainly the campaign to pardon him has brought him back into public view for mainstream White America and potentially folks who are boxing fans in other countries around the world. But there's still a kind of underlying or subversive aspect to his legacy, and I don't think has been fully acknowledged in that pardon campaign."

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