Women traveling alone, particularly for pleasure, were still a rarity in the late 1800s when Amelia Hollenback and her sister, Josephine, set out from New York on their grand adventure to discover the Southwest.
Yet these two explorers, products of a wealthy upbringing, feared little as they left the family home in Brooklyn. Although seasoned travelers, this was their first trip West. Amelia was particularly eager to study Pueblo cultures as she believed many Native nations were dying out and would not survive much longer.
With the blessings of their parents, the two women departed June 1, 1897. They were avid letter writers to their family and friends detailing their travels, but not until 1992 were Amelia’s and Josephine’s letters of this summer excursion discovered.
Arriving in Flagstaff, the women settled themselves at the New Bank Hotel (the building now on the National Register of Historic Places) and headed for Walnut Canyon south of town. “Think of me in awe,” Amelia wrote to her mother, “for I have seen some cliff-dwellings!”
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The two Easterners quickly adapted to western dress. “Our everyday attire consists of shirt waists, short skirts, old shoes and flapping felt hats,” Amelia wrote, “regular cowboy style. For evening dress we put on long skirts, but we don’t assume such style every night. Dear me no, only on stage days to impress the new arrivals with the civilized ways of camp life.”
After their Walnut Canyon excursion, Amelia and Josephine (who were called Minna and Jo by their family) left for the Grand Canyon. In a letter to her parents, Amelia could barely contain her excitement.
“When I think of Minna Hollenback standing in the places that the next three weeks will show us, it seems as if enough good fortune for half a lifetime had been poured out for that one person. Did anyone ever have so many of their dearest hopes so realized at one time, before?”
Going by stagecoach from Flagstaff to the Grand Canyon, the sisters arrived at sunset and settled into their tent home.
“Oh if you could see us now!” Amelia wrote to a friend. “We are sitting in a most palatial canvas residence with a wooden floor and a Navajo blanket for a rug, two beds, three chairs, a Sibley stove in one corner, a washstand and what passes for a dressing table. Also three nails in the tents poles, at present decorated with the new cowboy hats which are the joy of our hearts.”
The next day, donning split skirts and riding astride, which was much safer than sitting sidesaddle, they were led down steep canyon trails by John Hance, considered one of the best tour guides at the Grand Canyon. Hance regaled his charges with tales of the canyon, both factual and somewhat fabricated as he had a knack for telling a good yarn.
The party stayed at the canyon more than a week, enjoying the sights, sounds, and smells of one of the most spectacular wonders of the world.
“We have been here just a week today,” Amelia wrote to her parents, “and I wouldn’t give that week for an ordinary year.”
Find more Barrio Viejo homes at tucson.com/barrioviejo (Video by Gloria Knott, Arizona Daily Star)
Amelia boasted of being the first woman to access John Hance’s new trail to Moran Point (named after landscape painter Thomas Moran) with Josephine quickly following.
Hance must have been quite taken with the two young women as he declared a promontory just east of Zuni Point be named after them. Today Hollenback Point, which later became known as Papago Point, is no longer accessible to tourists.
Discovering that a Hopi Snake Dance was to be held within a few weeks, the sisters extended their stay to make the trip to the village of Walpi and witness an event that only occurred every two years.
Amelia lamented that, as single women, they were unable to travel alone for this journey as the Hopiland excursion required at least a week of camping, “and this is the only occasion we have had for wishing ourselves men,” she said.
Yet she also acknowledged, “Indeed it is surprising how much a girl can do alone in this country, and how comfortably she could take a horse and be off alone all day with no fear of unpleasantness. . .. the roughest-looking crowds are no harder to encounter than one’s friends at an afternoon tea.”
While waiting for the much-anticipated Hopi excursion, the sisters ventured down the road to take in Montezuma Castle, Montezuma Well, the Verde Valley and a sojourn to ancient pueblos in New Mexico.
This side trip so impressed Amelia that she would later build a house in Santa Fe.
By mid-August, Amelia and Josephine, along with a handful of enthusiastic tourists, were on their way to the Snake Dance.
The 10-day trip started by train to Canyon Diablo, a burro ride up the 600-foot high mesa to Hano and Sichomovi, before finally arriving at Walpi. That first evening around sunset, they witnessed an Antelope Dance.
As the day dawned for the Snake Dance, Amelia found a slight incline at the end of the plaza to set up her camera. She was surrounded by male photographers who jostled and jockeyed for better positions to shoot the event but she held her ground. Many consider Amelia the first woman to photograph this historic event.
The dance had become so popular among tourists that they outnumbered Native Americans who came for the celebration.
Within a few years, the Hopi would ban all non-Natives from witnessing the Snake Dance and prohibit any photographs whatsoever.
Captivated by their visit to Hopiland, the sisters returned to Flagstaff and headed home after three months exploring the Southwest.
In 1932, Amelia built her house in Santa Fe but spent little time there as her family remained in the East and drew her back time and again. Her last visit was in 1947. Amelia died in 1969 at the age of 92 and is buried in the Hollenback Cemetery in Wilkes-Barre, Pennsylvania.
Photos: Take a virtual tour of these Barrio Viejo homes in Tucson
Barrio Viejo virtual home tour
Welcome to the Barrio Viejo virtual home tour, benefitting the neighborhood’s Lalo Guerrero elder apartments. More about that later, but let’s get started with the tour, which features homes built from the 1880s right up until last year.
Barrio Viejo virtual home tour
This recently restored 1911 adobe on South Meyer Avenue was the childhood home of Eduardo “Lalo” Guerrero, the father of Chicano music. He lived most of his adult life in Los Angeles, but a barrio complex of apartments for seniors was named in his honor in 2003. This Barrio Viejo virtual home tour benefits the neighborhood’s Lalo Guerrero elder apartments. Find the fundraiser here.
Barrio Viejo virtual home tour
Owners Amanda and Luke Kippert replaced the home’s roof and electrical system, installed air conditioning and made other major improvements in an Art Deco style. Danny Quihuis of Quihuis Architecture Co. helped with the project.
Barrio Viejo virtual home tour
Guerrero, in the two photos on the left, was born Christmas Eve 1916. He learned to play the guitar when he was nine and by 17 wrote and performed what would become one of his most famous songs, “Canción Mexicana.” The 1936 musician comedy “The Gay Desperado” was filmed on South Meyer Avenue in a part of the barrio later torn down for construction of the Convention Center.
Barrio Viejo virtual home tour
Pops of gold throughout the house give it glamour.
Barrio Viejo virtual home tour
Notice the fancy gold feet on the old bathtub?
Barrio Viejo virtual home tour
The pièce de résistance of the Lalo house is the patio mural by Sal Sawaki of Wagon Burner Arts.
Barrio Viejo virtual home tour
“Hot Pink Neighbor” by Ron Kenyon. He is a member of the Tucson Barrio Painters, a group of “plein air” painters who have long appreciated the architecture of the city’s barrios. Three years ago, as they noticed accelerating changes, they decided to make a more organized effort to capture the barrios on canvas.
Barrio Viejo virtual home tour
This house, built in the 1880s, had become a near-ruin by the time it was restored over three years in the early 1980s. Walls had to be rebuilt, and the original dirt, clay and manure roof removed. The cabinets were salvaged from the long-gone Damsky Cigars shop on East Congress Street.
Barrio Viejo virtual home tour
Many old barrio homes are built on the lot lines, leaving no front or side yards. But shady back patios are common.
Barrio Viejo virtual home tour
Notice the thickness of the adobes that case the windows. The ceilings are saguaro ribs.
Barrio Viejo virtual home tour
“Four doors” by Denyse Fenelon. “Barrio communities should be nurtured and appreciated for the architecture, lives and stories that have happened here. It’s hard to save what you can’t see so we’re attempting to preserve, in our way, the story of Tucson,” writes Fenelon, organizer of the Tucson Barrio Painters.
Barrio Viejo virtual home tour
Several dozen homes have been built in the barrio in the past 15 years, either on lots where houses had been demolished years before or on land that had always been vacant. This house was built in 2017 by a couple that already had family connections to the barrio.
Barrio Viejo virtual home tour
The living room and kitchen are part of an open-concept area designed for family gatherings.
Barrio Viejo virtual home tour
The kitchen takes advantage of the home’s high ceilings. That’s another nod to the design of many of the barrio’s oldest buildings.
Barrio Viejo virtual home tour
Luis H. Ibarra of Saavy Inc. was the general contractor.
Barrio Viejo virtual home tour
A Tucson-made patio bench gives the home a sense of place. “Be Kind” is the motto of the beloved Ben’s Bells project.
Barrio Viejo virtual home tour
From the street, the home hews to a traditional Sonoran style. It is built on the lot lines and has a flat roof. But the patio shows that is a modern structure.
Watch now: Peek inside this Barrio Viejo home near downtown Tucson
Barrio Viejo virtual home tour
Barbara Mulleneaux recently painted this long-vacant building at West Kennedy Street and South Meyer Avenue.
Barrio Viejo virtual home tour
This pre-1888 front room opens to the kitchen and dining area, then a laundry with an adjacent bathroom, and finally the rear bedroom and a doorway to the central courtyard. Years ago this type of design was referred to as a shotgun because the rooms line up like the long barrel of a shotgun. Brick floors have replaced the original wood floors, but the variegated light & dark gypsum interior plaster is a longtime Old Pueblo tradition.
Barrio Viejo virtual home tour
This chandelier highlights the rough-sawn fir joists and old-growth planks a full 2 inches thick. Ceilings nearly 12 feet high kept hot air high in the summers when many Tucsonans slept outdoors on canvas cots or improvised hammocks.
Barrio Viejo virtual home tour
Till the 1990s this adobe room had two feet of dirt above its fir joists and packing crate planks. That was its original roof. One of the planks still visible today is addressed to "Geo. Martin", Arizona's second druggist.
Barrio Viejo virtual home tour
A clean, sleek bedroom for this old house.
Barrio Viejo virtual home tour
Large skylights with white domes provide soft, diffused light for this kitchen, which has no windows. The room originally opened to a long porch 7 feet in depth, but early 20th century additions closed off even that bit of light, so skylights were an adaptation.
Barrio Viejo virtual home tour
This iron fence recycles old gas and water pipe salvaged from a large complex of former apartments restored from 1998-2000. Some of the adobe walls had collapsed, and the property was condemned. Designer-builder David Carter's material costs for the fence totaled just under $19 for the caps on the posts. Welder Jim Fredd was the fabricator.
Barrio Viejo virtual home tour
José Trujillo built this market in the western part of the barrio in the 1920s. It eventually became apartments -- including home to motorcycle riding tenants who changed oil in the living room -- an addiction-counseling center, a bed-and-breakfast and a home. This painting is by Dina Jasensky.
Barrio Viejo virtual home tour
Joyce Nelson painted “Las 4 Esquinas,” one of the most iconic buildings in the barrio. Grocers or general shops were at three of the four corners at West Simpson Street and South Convent Avenue as far back as 1888. It isn’t clear when the building was first called Las 4 Esquinas, but it carried that name by 1917 at the latest. It was operated by Don Wah and his wife, Fok Yut Ngan, both Chinese immigrants.
Barrio Viejo virtual home tour
This 900-square-foot adobe was built before 1920. This is how it looked until about two years ago.
Barrio Viejo virtual home tour
The new owners who restored the house say they were inspired by homes in San Miguel de Allende, Mexico.
Barrio Viejo virtual home tour
Many interior items, such as lights and this sofa, were second-hand finds.
Barrio Viejo virtual home tour
A kitchen right out of Mexico.
Barrio Viejo virtual home tour
The homeowners’ next project is to build a new sister structure on the same property. Follow their work on Instagram at weboughtanadobe.
Barrio Viejo virtual home tour
Russell Recchion painted this building at Convent and Simpson.
Barrio Viejo virtual home tour
The vigas (wood beams) in this house were salvaged from trees burned in the 2002 Mount Lemmon fire. The home was built 10 years ago. The painting shows Miguel Hidalgo y Costilla, the father of Mexican independence. It was salvaged nearly 40 years ago from the Los Reales landfill.
Barrio Viejo virtual home tour
Niches are common elements in older Mexican homes.
Barrio Viejo virtual home tour
The homeowners were walking in Guadalajara, Mexico, when they spotted workers installing a new roll-up garage door. The old iron gates were piled next to the street as trash. Shipped to Nogales by rail, they are now part of the back patio.
Barrio Viejo virtual home tour
This brick barrel vault was erected in three weeks without any formwork or other support. Every brick was set in place over thin air. Not till each row received its last brick was that row an arch -- a substantial structure.
Barrio Viejo virtual home tour
Norm Sherwood painted the long-unused Teatro Carmen at 348 S. Meyer. It was built in 1915 by Carmen Soto Vásquez and was an elegant theater seating up to 1,400. Performers came from as far as Mexico City to appear in plays and operas. By about 1920 it became a movie theater and also hosted dances and boxing matches. It later became a garage and then the Black Elks Lodge.
Barrio Viejo virtual home tour
This home was designed by Sonya Sotinsky of FORS architecture + interiors as envisioned by its owners and built in 2015 on a vacant lot by Jamie Olding of Building Excellence, LLC.
Barrio Viejo virtual home tour
Mike Runde of The Runde Company built the Rumford fireplace, which is tall and shallow to reflect more heat. Homeowner Joe Patterson started the painting on the right, of John Street in Hartford, Conn., in about 1987. It was not quite finished, but his spouse, Kathleen McNaboe, framed it anyway. After they moved to the barrio, Joe removed the frame and completed his piece.
Barrio Viejo virtual home tour
Mike Tanzillo of Tanzillo and Son built cabinets and millwork work the house, which has a modern interior with steel counters and polished concrete floors.
Barrio Viejo virtual home tour
The kitchen is part of the light-filled great room.
Barrio Viejo virtual home tour
The office looks into a courtyard with a variety of fruiting trees.
Barrio Viejo virtual home tour
High ceilings help make the bedroom spacious
Barrio Viejo virtual home tour
This bathroom is tucked behind the bedroom.
Barrio Viejo virtual home tour
David Rojo of Rojo Construction LLC built the home’s metal planter boxes. The outdoor tile art is by Carly Quinn of Carly Quinn Designs.
Barrio Viejo virtual home tour
The home’s exterior celebrates the rich history of the barrio with hard troweled hand plaster and wood gates and shutters.
Barrio Viejo virtual home tour
“Two Minutes to 5 Points,” by Terri Gay refers to the five-way intersection of 18th Street and Stone and Sixth avenues.
Barrio Viejo virtual home tour
Back in 2014, the Star’s Tom Beal chose saguaro ribs as one of 100 objects that define Tucson. Here’s how he explained it: “Saguaro ribs were functional in early Tucson, where wood and metal were hard to come by before the railroad arrived in 1880. The ribs of the saguaro cactus, with an insulating layer of grass and native dirt piled atop them, served to fill in the spaces between roof beams hauled from nearby mountains. In Spanish, the beams are called “vigas” and the lateral pieces “latillas.” The ceilings of sleeping rooms were often covered with a sheet of muslin to keep the dirt from falling into your mouth as you snored away at night. You’ve no doubt seen the durable ribs on dead saguaros after the flesh falls away.” Ribs are still found in many of the barrio’s oldest homes.
Barrio Viejo virtual home tour
Integral color was mixed with gypsum and perlite to create this variegated plaster.
Barrio Viejo virtual home tour
Barrio painter Peter Farrow’s take on Las 4 Esquinas.
Barrio Viejo virtual home tour
This is one of four homes developed by Warren Michaels on the site of what had been a bakery. Rob Paulus was the architect and Dave Taggett the builder. The walls are Mikey Block, a lightweight but strong material with high thermal value.
Barrio Viejo virtual home tour
The “Tucson” letters are from the old Greyhound bus station. The homeowners, Laura Walton and Dave Hamra, found them at Gather, A Vintage Market.
Barrio Viejo virtual home tour
La Fortuna, the original bakery on this South Meyer Avenue site, was started by the Figueroa family in the 1920s.
Barrio Viejo virtual home tour
Artist Poe Dismuke of SamPoe Gallery in Bisbee created the high-flying cicada.
Barrio Viejo virtual home tour
The patio is designed after traditional barrio gardens with pomegranate and figs trees, and a ramada of mesquite and ocotillo supporting gravevines. It also includes a modern water-harvesting system.
Barrio Viejo virtual home tour
Johanna Martinez honors the property’s history with the La Fortuna mural.
Barrio Viejo virtual home tour
“Simply Green” by Barbara Mulleneaux. The home is on South Meyer Avenue.
Barrio Viejo virtual home tour
This is one of nine condos in a complex built in the 1880s as a livery and bunkhouse for the Palace Hotel, which was seven blocks north in the heart of downtown. In those days, when visitors came to town on horses, it wouldn’t do to keep animals right next to a nice hotel.
Barrio Viejo virtual home tour
The complex’s fireplaces weren’t built to today’s code standards, so they are decorative rather than functional.
Barrio Viejo virtual home tour
Designer Linda Robinson, winner of the Master of the Southwest award from Phoenix Home & Garden, advised the homeowner on the interiors.
Barrio Viejo virtual home tour
Many of the furnishings and lights are from Adobe House Antiques and Arte de la Vida. The home’s custom window hardware is by Perry Luxe.
Barrio Viejo virtual home tour
Picture-rail moulding along the walls means there’s no need to drill into the plastered adobe to hang art.
Barrio Viejo virtual home tour
Terri Gay painted this vacant house at West Cushing Street and El Paso. Most members of the Tucson Barrio Painters have social media accounts or web sites. Search individual names for more information about their art.
Barrio Viejo virtual home tour
The Lalo Guerrero apartments at West 18th Street and South Convent Avenue are on the site of the original Samuel Drachman Elementary School. It was built in 1901 as a four-room school but expanded over the years. Fire destroyed 80 percent of it in 1948. It was rebuilt but had fallen into disrepair by 1997 when a new school was constructed three blocks south.
Barrio Viejo virtual home tour
All but the central facade of the school was demolished just before its 100th anniversary. Federal and state grants and loans paid for construction of the 62 apartments now on the site. Pio Decimo and Barrio Viejo Elderly Housing Inc, non-profit corporations, operate the apartments on behalf of their residents.
Barrio Viejo virtual home tour
Eduardo “Lalo” Guerrero attended Drachman in the 1920s and also the dedication of the apartments in 2003. World famous as a singer, songwriter and guitarist, he died in 2005.
Jan Cleere is the author of several historical nonfiction books about the early people of the Southwest. Email her at Jan@JanCleere.com. Visit her website at: www.JanCleere.com.



